Summer Shenanigans

With the Summer full of typical, audience-hungry blockbusters vying for your attention, it can often be difficult for an arthouse independent to gather much traction. I think that's why, when truly special ones are coming out, critics will give them platitudes such as "This year's Little Miss Sunshine", referring of course to the 2007 Hollywood darling that was a dark horse candidate at several awards ceremonies after its mid-July release. That could certainly be the upside for The Way, Way Back, the directorial debut of Nat Faxon and Jim Rash (Oscar winners for their screenplay of 2011's The Descendants). While there's certainly no shortage of quality indie films this year (many of which could be considered outside-shot Best Picture contenders), there's just something immediately special about this "Best Summer Ever" picture, which comes complete with an all-star cast, raging emotions, and a sufficient number of water slides.

Fourteen year-old Duncan (The Killing's Liam James) is miserable, forced to spend his summer at the beach house of his mother's pig-headed boyfriend Trent (Steve Carell) instead of being able to visit his dad, who lives across the country. While mother Pam (Toni Collette) goes along for the ride, Duncan's anguish is compounded by the embarrassing behavior of Trent's friends, the disdain he gets from his nemesis' teenage daughter, and his own inability to reach out and make new friends. That begins to change when he meets girl-next-door Susanna (AnnaSophia Robb) and chances into entrepreneurial slacker Owen (Sam Rockwell), who runs the Water Wizz amusement park. Soon, Duncan is able to ignore all his problems and enjoy growing up for a change. But when things escalate at the home front, the list of good things in Duncan's life might become much, much shorter, and his sometimes-excellent Summer may come crashing to an end.

 Quite the motley crew.

First of all, this is an excellent acting core that Faxon and Rash have assembled, starting with the relative newcomer James. His general morose demeanor throughout the film would suggest that the young man was playing a relatively one-note character, but it's the moments when he smiles or otherwise changes tack, the glimpses of a good time had, that the audience gets a feel for the veracity of his performance. While there are a number of talented actors in this cast, only James has the opportunity to truly carry the film, and that such a young man can do so is a testament to his ability. Rockwell and Carell also do wonders as the two father figures in Duncan's life. Rockwell is generally within his "likable goofball" wheelhouse, but also shows a tender and protective side when it comes to his new ward, again showing his (at times) surprising versatility as a performer. Carell, meanwhile, lets us thank the heavens that he can play something other than cheap Woody Allen knockoffs, and brings an excellent showing to this movie, his most impressive performance in years. What's interesting is that both characters are essentially imparting the same message to Duncan - get out there and do something - but while Trent wants nothing to do with Duncan outside that, Owen is more accepting and inclusive to the young man. The cast is rounded out by good-to-great performances by the likes of Robb, Collette, Maya Rudolph, Rob Corddry, Amanda Peet and the always-excellent Allison Janney. Even Faxon and Rash get in on the action, playing minor comedic roles along the way.

I've never hated Carell so much... and that's a good thing.

But these actors also have a great story to work with, one penned by the directors and dripping with Duncan's easily identifiable personality. It's quite effortless to sympathize with the young man as he searches for his own path through life, and Faxon and Rash exquisitely tap into that vein to tell a story that feels not like a cliched coming of age tale, but a true slice of the American experience. Yes, things do develop a little predictably, and it doesn't possess the sheer volume of surprise and heart that Little Miss Sunshine brought with it in spades. But in The Way, Way Back we see a realistic, down-to-Earth recounting of youth and innocence in a way rarely done right on the big screen. Duncan's life-changing summer might be a little bit calculable, but through its performance never is it dull or anything less than promising and encouraging.

Yup, this is where C.J. Craig vacations...

That's where The Way, Way Back stands, as a great but not groundbreaking acting tour-de-force that in reality is no more remarkable than the excellence of Mud or The Place Beyond the Pines but will still be remembered over those entries by viewers and critics this winter simply because of its effort in counter-programming the likes of Man of Steel, White House Down and Pacific Rim. It certainly worked for A Better Life, the 2011 film that had only a modest theatrical run but netted Demian Bichir a Best Actor nomination at the Oscars. Whether that will be the same fate for this film is anybody's guess, but there's no good reason to skip this movie when it soon makes its nation-wide expansion in the coming weeks. It may seem like I'm giving this title a ho-hum review, but I promise you that - while it's no Sunshine - if you give The Way, Way Back a chance, you won't be disappointed by your decision.

Didn't anybody ever tell you to never eat amusement park food??

It's Cool to be Blue

There's no plainer way to put it: 2012 was one of the best all-time years for animated films. It wasn't just the tremendous, unique contributions from the "Big Three" animated studios of Pixar (Brave), Disney (Wreck-It Ralph and Frankenweenie) and Dreamworks (Rise of the Guardians and Madagascar 3) that did it either, but also slew of third party and independent animators who put forth not just some of the best animated motion pictures in years, but also some of the best MOVIES of 2012, from Studio Gibli's The Secret World of Arrietty to LAIKA's ParaNorman. With this level of quality dominating last year's features, it's kind of disappointing to look at what 2013 has to offer. Monsters University? Epic? The Croods? Turbo? Frozen? The only animated flick I'm really looking forward to this year is Despicable Me 2, and to be fair that's just because I can't get enough of Gru's Minions (nor should anyone with a funny bone, as this trailer shows). Sure, any of these titles could turn out awesome and change my mind, but last year I was both eagerly anticipating and pleasantly surprised by most of the animated film released, and I just don't get the same feeling from this year's batch of entries, and they're going to have to earn my appreciation.

Scorch Supernova in repose...

That was certainly true for first entry Escape from Planet Earth, the freshman feature release from Canadian animation studio Rainmaker Entertainment. In it, we're introduced to Scorch Supernova (Brendan Fraser) and his brother Gary (Rob Corddry). Scorch is a widely-respected intergalactic hero, as well known for his magnetic charisma as his is for his reckless manner and ability to succeed where nobody else can. Gary, meanwhile, is his brother's brainy overseer at Mission Control, often trying to mitigate the trouble Scorch's methods always seem to attract. When Scorch accepts a mission to "The Dark Planet", from where no mission has never returned, he does so against the wishes of Gary, who quits in disgust at the lack of respect he has received from Scorch and others. But when Scorch is captured on the mission, it is up to Gary to become the hero and rescue his brother from the evil planet known as Earth.

Gary learns the evils of the Big Gulp.

Escape from Planet Earth succeeds in more places than you might expect from a fledgling animation studio. Despite perhaps not crafting their animation with the same level of quality as the big boys, the whole of the artwork - and especially the 3D - are very, VERY good. There were a few moments that didn't quite match up to the rest of the picture, but they happened so infrequently and at the very beginning, so that you'd barely remember them when all is said and done. And despite their relative cliches, the characters are fun enough and with motivations that are easy for kids to comprehend. Gary Supernova especially is nicely voiced by Corddry, who puts forth his second good performance this month (though not nearly as good as Warm Bodies) as a blue-collar (pun intended?) guy pushed to perform the extraordinary. Playing opposite him is the highly effective Fraser, who might have discovered a potential for career resurgence in voice acting with the macho, confident swagger he brings to the screen. Other strong (or at least amusing) performances belong to Craig Robinson, Sarah Jessica Parker, Ricky Gervais and Jane Lynch (although nothing she ever does will top Lynch's Wreck-It Ralph role), but it's William Shatner hamming it up as an evil military leader that steals the show. Director/screenwriter Cal Brunker shows a real connection with his actors, unexpected from the rookie (he's typically been an art department guy), and he also has a talent for the wry quip and a propensity for the in-joke. For instance, one of my favorite bits featured human guards attempting to wrangle one of the story's aliens. One character's exclamation? "James! Cameron! Get the Alien!"

Okay... it's just like driving an interspace car...

But while Escape From Planet Earth manages to outstrip its meager origins, it doesn't necessarily make it an animated flick worth your time. Those dialogue gags don't happen often enough to be anything more than clever moments in a script practically bereft of them. The story is also an amalgam of cliched story and characters, from rambunctious kids to sibling rivalry to the rake gag, suitable perhaps for kids but not really all that engaging for their parents. There's also not really any one scene-stealer like Madagascar's Penguins to whom you could really see yourself getting attached... I mean, there IS Scorch, but his antics aren't nearly so inspired as to be entertaining on their own. And while most of the cast is quite good, the lone low score goes to Jessica Alba, whose lack of personality is on full display in a role that really shouldn't have been all that difficult to handle.

I think they actually stuck Fraser's eyes in there...

It's clever on occasion, the acting is pretty good and the artwork is VERY fun to look at. Those are the essential bullet points for what to expect from Escape From Planet Earth. It's a good first feature effort from Rainmaker, whose biggest success to this point was arguably the TV show Beast Wars: Transformers, and this successful release certainly sets the stage for them to form a lucrative movie business for the future. But what might make this movie the MOST appealing is that there is NOTHING else to take your kids to in the theaters right now. If you have the hankering to go to the movies, this isn't a bad family pick, even if the coming months will offer a few more (and hopefully better) options. Still, Escape From Planet Earth manages to top out as the #6 movie of 2013, not a bad start for the animated genre this year. I don't expect anything in the same vein of Wreck-It Ralph or ParaNorman when it comes to this year's titles, but hopefully this won't be the best thing the animated genre has to offer us for the near future.

Open Letters Monthly: Warm Bodies

Teen supernatural romances are all the rage right now. Capitalizing on the goodwill generated by those awful Twilight films, titles keep popping out of the woodwork, trying to transmogrify into the next blockbuster series. This month we'll see whether Beautiful Creatures, based on the series by authors Kami Garcia and Margaret Stohl can live up to the hype, but in the meantime we have Warm Bodies, the zombie comedy romance brought to us by the director of 50/50.

In a future controlled by hordes of shambling corpses, R is a zombie trying to maintain his last shred of humanity via collecting knickknacks and vintage vinyl records. Though a philosophical sort, he's stuck following his instincts most of the time, which usually involves hunting the few living humans left on the planet for food. That all changes one day when he runs into Julie, a young human woman, while she and her small party are scavenging for medical supplies. After he eats her boyfriend, R falls head over heels for the lovely lady, and it changes something inside him. But while the two develop feelings between themselves, the people and monsters around them struggle to understand their mutual attraction. But as his love for Julie slowly brings R back to life, the question becomes whether living and undead can ever coexist, or if the two groups will forever be at war.

Warm Bodies is directed by Jonathan Levine and stars Nicholas Hoult, Teresa Palmer, Analeigh Tipton, Rob Corddry, Dave Franco and John Malkovich.

Click here for the full review at Open Letters Monthly.