|Sure, throw your weight around. That'll get you friends|
|Okay, now you're just showing off|
|This is Major Tom to Ground Control...|
|Yeah, you ain't coming home for supper.|
The film also makes great use of it's confined spaces. The elevator cab, especially, is small and shot as such, and the viewer feels as confined as those poor souls stuck in it. Outside, the world is dark and overcast, no sun shining down on the world. It almost creates the same effect, as though the storm clouds are the closed elevator doors, refusing to part so that we can get or even see out.
|"Don't worry, I bet they won't even ask you to be in the sequels"|